Elena Michaels didn’t know that her lover Clay was a werewolf until he bit her, changing her life forever. Betrayed and furious, she cannot accept her transformation, and wants nothing to do with her Pack.
When a series of brutal murders threatens the Pack – and Clay – Elena is forced to make an impossible choice. Abandon the only people who truly understand her new nature, or help them to save the lover who ruined her life, and who still wants her back at any cost.
Bitten is the debut novel of Kelley Armstrong’s Women of the Other World Series, the inspiration of the TV series of the same name. In every way it is very standard Paranormal Romance / Urban fantasy, but what distinguishes this novel from the pack is Armstrong’s writing.
Her world building is strong. Werewolves are one of the big three of urban fantasy (the big three being vampires, werewolves and witches or some similar kind of spell caster), and they aren’t shockingly different from the wolves of your Mercy Thompson novels or any other urban fantasy series. But the werewolves’ lore is extremely well fleshed out in this story, and their world and history is deep and interesting.
Her descriptions of scene and atmosphere are detailed and really brings to life everywhere Elena is to life- whether it’s the gym, Bear Valley, or the forest where the pack are hunting deer.
However, it’s the action scenes and the humour in which is Armstrong really shines. I think the only way to do justice to Armstrong’s brilliant one liners is to give an example:
He flipped through the pages, stopping on a photo of a bikini-clad redhead sprawled over the hood of a Corvette Stingray…
“What’s the woman doing there?” he asked
“Covering a scratch on the hood. She was cheaper than a new paint job.”
Armstrong’s wit is on form throughout the whole novel. All the action sequences are fast paced, very tense and exciting. They grab you from the word go, whether it’s a deer chase or a show down with the Big Bad.
As for characters, the villains in this book are… serviceable. They aren’t memorable like the ones that can be found in Anita Blake’s (pre book 10) rogue gallery, but their motivations seem believable and they do provide a legitimate threat for Elena and the pack to fight against.
And speaking of Elena, the main selling point of this series is the strong ass-kicking female leads. Bitten delivers. Gorgeous, biting witty, no nonsense and a supernaturally strong fighter, Elena is an extremely engaging character. She is not your virginal lead, and is unashamedly sexual- and the many sex scenes, for that matter, are smouldering. Her downfall however, is being overly impulsive and making bafflingly stupid and reckless decisions. There is one point where she rushes to find the antagonists- while all alone, with no backup- without telling the pack where she’s going and having a big part of her plan hinging on them figuring out where she is and riding in for the rescue. Unfortunately, this is a stupid streak that will continue through later books.
Then, with all these good points, what could possibly go wrong? Well, our heroine Elena has a serious character flaw: her choice in men. Clayton Danvers is one of my most loathed characters in literature and ruins every Elena book he’s in. He is an (unfortunately) very typical paranormal romance lead, and if you’re a big fan of the genre and like the domineering alpha male love interests, you will love Clay. He has a lot of good points: he is gorgeous, sexy, and passionate, has hilarious banter with Elena and he has a single target sexual attraction towards her. Their relationship is very passionate, intense and high drama like Catherine and Heathcliff. But also like Heathcliff, Clay is very possessive and puts his obsession for Elena above Elena’s wellbeing. Clay is possessive to the point where his relationship with Elena becomes co-dependent and stalkerish.
First of all, they met when Elena was a student and Clay was professor of anthropology (a job that after this we never see him do or talk about because businessman Dominic is the only werewolf we actually see do any real work). The much older male love interest is a prevalent feature of Armstrong’s Otherworld series. The fact that he was a professor teaching her class is a dubious start.
Then, Clay bites her. He doesn’t talk to her, doesn’t try and tell her about what he is or give her a choice, he just bites her. He forces a dangerous, irreversible life choice on Elena without even talking to her. This is a big conflict between the two throughout the book, but even reviewers who dislike Clay’s actions don’t quite emphasise how bad he is. There’s a scene where Elena looks at the werewolf dossiers- the history of werewolves- and there’s a section that details all previous attempts to create female werewolves. They all died.
Now, as a man who’s been a werewolf since a child, and as an (alleged) academic, there’s no way that Clay could have not realised that attempting to turn Elena would most likely kill her. This means that he was willing to risk killing Elena rather than risk her leaving. I don’t care how well Clay knows Elena’s taste in maple syrup or how much he worries about her. This is not love; this is limerence; this is self-absorbed obsession.
I could list numerous instances of Clay’s manipulative, pushy and controlling behaviour (he gets very jealous when Elena tries to have other friends), but I will let this point speak for itself.
Elena may be ‘tough’ in the feisty, 21st century ‘Strong Independent Women Hear Me Roar’ way. I would actually find a more timid, female lead who cried a lot and wasn’t an amazing fighter- but had the strength to really stay away from Clay – to be a stronger female lead. All in all, this is a brilliant book and I would be giving it 4/5 for writing quality alone. But sadly the presence of Clay drags its score down.
RATING: 3 ½ restraining orders from the other world / 5