SUCH A STEREOTYPE! HOW TO WRITE MINORITIES WELL AND CAN STEREOTYPICAL CHARACTERS EVER BE WRITTEN WELL

”Oh, so just because she’s a woman she must be into shoes!”Of course the Chinese guy knows martial arts- and for Gods sake Samurai swords are Japanese!’ You’ve all heard people rage against a character on the internet.

For the millionth time, we get another fashion obsessed GBF who talks about sex, never has any, and gets to be the butt of hilarious gay jokes; another lesbian who either dies because she’s expendable and can’t be used as a sassy accessory like the gay men; secretaries and women relegated to support roles and black women who are either entertaining and sassy or high court judges who never get any real characterization or role in the plot. Asian martial artists. Latina maids. The super crip. Russian spies.

But the question is, is writing a stereotypical character always a bad thing? Because, here’s the thing- most stereotypes aren’t randomly pulled from the ether. A hell of a lot of women AREN’T able to become high powered lawyers or mechanics (the same way most white men aren’t) , and they ARE nurses and secretaries. While we rail against the effeminate gay male stereotype (the Kurt Hummels, the Hollywood Montroses), they do exist- although they are definately a minority amongst gay men and with each passing year that breed of gay men are becoming rarer and rarer. A lot of black people DO like Hip Hop and R n Band listen to Bob Marley.

And railing too hard against the stereotype can be a problem, because we can reach the other extreme; we can reach the idea that a female character can’t be strong unless she’s angry, unemotional and hates fashion and girly things (but she still has to be young and hot- a woman is still worth as much as her attractiveness to men); butch lesbians are terrible, a black woman can’t be a worthwhile character unless she’s a lawyer, an honour student, a doctor or a good role ( a standard which isn’t applied to white characters, who can be everymen)   . And I think we can all see why deeming these real life people as inferior is a problem.

1) DON’T! Do you REALLY need to write a stereotype?

In spite of the premise of this article, my first piece of advice would be not to write a character filling that stereotype. First off, that character type is pretty much catered for. We’ve seen enough gay hairdressers, Asian martial artists, promiscuous bisexuals, Latino/a sex machines, so you really don’t need to fill that void. However, the asian basketball fans (an old roommate of mine), black scientists, lesbian who actually survives and isn’t obsessed with babies categories are extremely underrepresented.

Second off, writing a minority group which you are not a part of (or the opposite gender) is extremely challenging at the best of times; but writing about one whose experience is completely alien to you, and of whom every single portrayal is steeped in stereotypes and misunderstanding that you don’t know which ones are true, and which ones are false caricatures? That’s a tricky, tricky task- and one that even writers with the best of intentions get wrong.

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Barrett bless him. You can’t help but love him, but by God whoever wrote him has never met a black person

Write a character you can relate to. For instance, a lot of people are terrified of not giving a woman enough feminine characteristics in fear of being criticized for writing a ‘man with boobs.’ Trust me, as a woman I’d rather watch a strong active heroine who is  ‘a man with boobs’ than a woman who’s defined by being someone’s love interest/ mother or given a forced girly hobby because ‘chicks dig that, amirite?’

As for the stereotypical ones? I’d say leave writing them to the butch lesbians, girly girls, flamboyant gay men to write (or at least, the people who know a lot about that community).They’re the ones who can write them with the nuance they deserve, because they understand that stereotype. For example Ryan Murphy from Glee managed to turn Kurt Hummel into a great and complex character… even though I think he dropped the ball a little in The New Normal. Ai Yazawa wrote NANA, who’s main character is an air headed, boy crazy girly girl who’s impulsive, makes terrible life choices…yet it was framed in such a way that she was used to show the challenges of a young woman in Japan.

2) CHALLENGE your internalised prejudices. And RESEARCH

Look, in spite of what people tell you, no, just because you have gay/ black/ trans friends does NOT mean you don’t have a touch of homophobia, racism, sexist etc. It’s a ludicrous argument and by that stroke, Bluebeard could argue ‘I’m not a mysogynist: all my wives are women… well, were- before I killed them! Now they’re dead- but they were alive!’

Just because you agree with interaccial marriage and don’t attend KKK rallies doesn’t mean you’re not prejudiced; you’ve just cleared the world’s lowest bar, and there’s plenty of prejudiced behavior in between being Jesus and committing a hate crime. And, when you start writing, often those prejudices that you don’t normally betray in every day life become magnified

You can counteract this by RESEARCH. Believe it or not POC, LGBT people are REALLY keen on telling you want, and writing about their experiences. Read stories from their POV, about what it was like being a say, latina maid, or an effeminate gay man who grew up having an interest in clothes and make up since he was a young boy.

2) Avoid language that’s locked, loaded and coded

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This is a big problem and primarily applies to effeminate gay men. I’ve read of gay men described constantly as ‘sashaying’, ‘mincing’ ; take for example, Lord Akeldama from The Parosel Protectorate, the Patron Saint of terrible cliched gay writing:

He minced into the room, teetering about on three-inch heels with ruby and gold buckles. “My darling, darling Alexia.”

Oh God. How does one even mince into the room? Is he waving around his limp wrists and voguing to an invisible camera.

You see, when you start using these buzz words, you are not writing a fully fleshed person based on reality. You are drawing on cultural stereotypes as a short cut to portray a certain idea of  that type of person. It also singles out their ‘otherness’; why can’t an effeminate gay man just ‘walk’ or ‘stroll’ into a room like every other character? Why does he need a special gay walk because he’s different?  Please, don’t use coded language and let

3) Do NOT make their otherness their sole personality trait. And do NOT bring it up constantly

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Fangs for the fantasy wrote an excellent example on the Lesbian Shark. Sometimes writers are so enamored/ obsessed with the characters otherness that they think its interesting in and of its self that they have to bring it up constantly. If your whole character can be summed up as ‘gay’ or ‘female’ or ‘sassy black friend’ then you have a problem (and no, the fact they have a couple of token interests you cling to like Shakespearean plays does NOT stop them from falling into this trope).

The worst example is Sir Loras in the TVs version of GoT. Oh God.Every time he’s mentioned, it’s always to bring up a HILARIOUS gay joke, or about his gayness, or to show him persecuted because he’s gay and so he HAS to be persecuted or forced into an arranged marriage (not in the book) or some other stereotype relating that, or to show him banging a guy to please viewers. This isn’t inclusion, this is a hollow shell.

4) Do NOT make their otherness their sole ark

This is not inherently a bad thing, because marginalization really, really does have a massive impact on people’s daily lives. Especially in historical times, when women were property, black people were second class citizens or slaves, gay people could be murdered for who they love (which still hasn’t changed), being disabled made you less than, and being trans was an impossibility. These issues should be dealt with and it would

But it gets frustrating when everyone else gets to deal with a multitude of interesting ‘neutral’ issues, like saving the world, or dealing with PTSD, or their commitment issues, what it means to be strong, a hero etc while minorities get to deal with minority problems. The first woman pilot/ mechanic etc. Racism at work. The coming out story. We are more than just our race/ gender/ sexuality etc, and we deal with other problems too.

The one thing that’s even worse is when their minority

A great example is Tyrion. Tyrion is a dwarf and constantly has to deal with a barrage of prejudice from his father and everyone around him. But that’s only part of his story: first and foremost he’s a pragmatic, cunning, witty noble with a penchant for wine and women, who is scheming enough to be a politician in Westeros, but lacks the cruelty of other characters. We see him leading battles, dealing with his tyrannous nephew, get arrested for murder and end up on the run. This is how you write a minority character and treat their prejudice.

A bad ex

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5) Do not reduce them to a side kick, supporting role

The sassy black best friend, the GBF, the magical cripple. Too often, if a writer wants to include a minority, they make them a sidekick or a best friend. The main problem is their whole purpose to the plot and their character is defined by their relationship to the protagonist. Inevitably, they will end up becoming a useful servant to the protagonist.

Give them an actual role- give them their own plotline, or even – gasp- make them the protagonist!

5) Please do not make the sole/ most prominent female the love interest

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More Elsa please

This one is the mother of all terrible female tropes. Too often women’s existence is defined by her attractiveness to men and as being a wife or mother, so we see this constantly reflected in the media. It doesn’t matter what she’s achieved, her kind personality, whether she’s funny, made mistakes or throws one hell of a party- all that matters about her is who she’s married to. It’s frustrating because even if she is a great character, she will always be seen as ‘X’s’ girlfriend and will be in his shadow as the less prominent/ successful half of the couple.

Even when love interests start out interesting, because the story isn’t about them but their boyfriend, too often she will end up getting sidelined and get stuck in the kitchen. Look at Mira from Spartacus, who for all her talk of independence got bumped off as soon as she was no longer Spartacus’ love interest and therefore there was no point to her; or Fiona from Shrek, who was left behind in the castle in 2 and 3, and only got to do stuff in 4 because the alternate timeline meant she was no longer with Shrek and therefore they could reset their meetcute.

There are exceptions like Katara, who’s very much not primarily viewed as Aang’s love interest and has achieved a lot in her own right, but she is very much the exception to the rule and even she still got imperiled multiple times to motivate Aang (though she was kickass the majority of the time).

Hell, the reason Elsa was so revolutionary was because, for once, we had a female not defined by her romatic relationships.

I honestly would say that if she’s the girlfriend of a more prominent male character, she hardly counts as inclusion. Please, include females who aren’t love/ sex interests.

 

 

What advice do you have for writing minorities? I’d like to hear your thoughts in the comments.

 

REVIEW: THE BEAUTY VOL.1- by Jeremy Haun

I decided to take a chance on The Beauty and bought it based entirely on the cover, the basic concept and all the positive reviews that it was receiving. I mean- it was about an STI that you want to catch- one that makes you extremely beautiful, so it sounded like it could have been an interesting look at the media’s unhealthy obsession with beauty. And after reading it? Honestly- I don’t get understand the positive reviews. I honestly don’t understand what it is that people see in this, because this lacks any nuance and the plot relies on all government law enforcement agencies acting unprofessionally and everyone being utter morons.

Why are people so drawn in? Well, I think part of it is because people are enamoured with the concept and because the cover art  is consistently amazing:

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It’s beautiful and horrifying, gothic and artistic- and not just this one; all the different covers and alternate covers for this book look bloody amazing. I mean, look at them:

The covers are fantastic and suggest a beautiful high art concept.The cover tells you this series’ whole premise. A ‘what if’- what if there was a sexually transmitted disease that everyone wanted, that made you beautiful. It raised so many what ifs- like there could have been discrimination against those who don’t contract, or an epidemic of people cheating on their non contracted partners… and then this happened.

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It apparently makes your HEAD LITERALLY EXPLODE! Did this disease enter the human population  when someone fucked a nucleur warhead? How could an STI possibly do that?

Yeah, fuck nuanced complexity. The obvious head exploding side effect takes away the potential for a more slow burn, complex exploration of society’s obsession with youth and beauty. It could still happen in later volumes-perhaps showing people refusing the cure because the thought of living without beauty is so unbearable that they’d rather live a short life than be anything less than physically perfect-but the campiness and the lack of subtlety of this volume do not bid well for the future.

This first issue doesn’t really explore the themes of beauty in much depth, but instead turns into an action thriller with two police detectives going up against a massive conspiracy.

And heavens, the action is silly. The characters act unprofessional- this was less like a police agency and more two maverick detectives running around doing what they felt like with no input from any superiors- and the conspiracy to keep the negative side effects of The Beauty hidden felt contrived. I’m sorry, but IF SOMEONE’S HEAD EXPLODES AFTER COUGHING ON NATIONAL TV, AND PEOPLE ARE SPONTANEOUSLY COMBUSTING IN PUBLIC then you can’t keep that shit covered up! Especially since this is set in America and anything that encourages people to have pre marital sex would have a massage back lash from powerful members of the religious right (many of whom are wealthy and are in positions of power), so there would be hundreds of wealthy organisations looking to play up a negative angle of the beauty.

Furthermore, when one of your agents in charge of investigating the Beauty after the event is clearly trying to say something about the Beauty and THEN IS SUSPICIOUSLY DRAGGED OFF BY OTHER AGENTS TRYING TO CHANGE THE SUBJECT IN THE MOST EYE BROW RAISING WAY POSSIBLE, THEN THE CONSPIRACY IS OVER! Seriously, they were so blatantly covering it up… the fact that no one catches on defies suspension of disbelief more than the alien cactuses did from the Silver Age Batman comics. I mean, there are people who theorize 9/11 is an inside job based on the emergency service response time, and yet someone’s head explodes on tv, the FBI acts really suspiciously and they have a punch up in the corner and no one suspects a thing? Seriously?

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It reached Batman villain levels of insanity when we had a guy in a mask ripped straight out of The Book Of Life shooting a major celebrity and going after two FBI agents in broad daylight. Why would you hire a crazed serial killer to cover up a conspiracy? Why not an SAS trained soldier who is proffessional, and can stick to the mission and carry it out in a reasoned and dispassionate way?

Also, is there any chain of command- any accountability? Task Force? Because the whole story revolved around two government agents running around blindly.

It may explore some themes later, and there are a few with potential to be explored in later volumes. The religious right’s objection that was briefly shown is a realistic consequence to The Beauty… afterall, they hate any kind of sexuality that isn’t very tightly regulated, and marital sex is the enemy of the highly puritanical religious reiche in America. However, since the glimpse we did get was of Westborough style fanatics with a ‘God Hates Beauty’ sign, the chances of this being done without delving into full Mr Burns level cartoon villainy is very slim. Yeah, it’s easy to mock the Westborough, but there’d be a lot of more mainstream Right Wing churches up in arms against this who are less obviously hateful and crazy, so the only objectors shouldn’t just be those who’ve gone off the deep end.

However, I do like the fact that the self hated closeted religious conservative has become such a cliche, that whenever we see a religious right wing fanatic we automatically assume that he must secretly be craving the dick in his life .

Another idea this graphic novel had going for it was the motive the enemy organisation had for their actions (I don’t want to spoil it here but it was a really convincing motivation and well thought up)- but the antagonists have gone sub Bond villain mustache twirling  level evil and, with their employment of crazy masked serial killer,  I have doubts of this being handled in any kind of sensible way.

However, with all the negatives, there are some things I liked. I think it treated the women in this novel equally to the men, and I like the relationship between the two cops. They had a good dynamic, were equals, and Vaughn (our heroine) was supportive of our male lead’s marriage. I hope they stay friends- because this is such a good and equal friendship- though I suspect that it might turn romantic at some point because his bond with her is so much stronger than his bond with his wife.

I also like how this novel seamlessly includes LGBT people in the novel as characters who are unstereotyped and fully integrated into the plot with no fanfare, although i did see a happy scene between a gay couple and thought ‘oh shit, we’re heading for gaydeath aren’t we?’

SPOILER FOR THE LESS CYNICAL I was right. This was annoying, especially since our leading heteros make it out okay, but at least with all the death in the novel it didn’t feel egrerious and I’m glad LGBT people were at least acknowledged and treated as human like everyone else.

THE ARTWORK

Honestly, for the artwork was decent and yet disappointing. Don’t get me wrong, it’s well drawn, the colouring’s good, it has a great use of shadows and the character models are fine, but it was always more realistic and restrained which was a bit disappointing. I personally believe the cover art should represent the artwork of the story inside, and I was hoping for more beautiful artistic images like the cover promised; maybe with a less realistic and more dreamlike style, the siliness of events wouldn’t have seemed so jarring. Or it could have at least distracted me from the weaknesses of the plot like how J H. William’s artwork on the Batwoman comics kept me enjoying the series even when it became silly and incoherant.

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It’s more realistic artwork jars with the more insane elements of the plot, and its world and writing doesn’t have enough character to make it compelling. Also, I found the faces to not be particularly expressive- which is fine for those with The Beauty, as I guess they were meant to look artificial and like they had been botoxed the hell out of, but even the non Beauties don’t look very expressive. I mean, judge for yourself from the panels’s I’ve showed you, but I just don’t get a sense of character jumping out at me like I did when I was reading say, Saga or Ms Marvel- which I think is due to its more realistic style. I’ve hopefully shown enough of the artwork to give a general flavor (and if you think I’m full of crap, feel free to voice your opinion in the comments), but it just isn’t what I was expecting from the cover.

VERDICT: This is a fast paced thriller, and while it wasn’t memorable, for all its flaws it isn’t dull either. However, the action was so implausible and the villains so ridiculous and moustache twirlingly evil that it did destroy any suspension of disbelief I had.  It is a first volume and it could get better when it explores its central concept (the depths people will sink to for beauty), but so far this series does not display the depth and nuance necessary to do its central concept justice and I just don’t understand where all the positive hype is coming from.

RATING :

2 gorgeous covers out of five:

The Mermaid’s Snare

My legs were aching. My heart worked harder than it had ever done before, but it didn’t matter. I had her- the mermaid curled against my chest.

“Get back here!” cried Father John, “She’s not human! Such a union will be cursed!”

“We’re in love! That’s all that matters.”

I dove into the ocean- opened my eyes…saw my shimmering tale. My heart soared. We could be together.

Miriana was smiling. I looked at her pretty face, at her naked breasts- I pulled her against me…kissed her neck, her chest, slid my hands down her…down her… I paused

“Umm… honey.” I said , “How do we…”

“Oh silly.” She said. “Not like that!”

“Wait…. What?”

“We mate by linking fins.”

“Are you kidding me!?”

“What’s the problem.” she said, “It’s just breeding.I mean, it’s not like it’s fun.”

My blood turned cold- and not just because I’d turned myself into a reptile.

“Andrew,” said Miriana, “Why are ?”

My body was shaking. My scream echoed through the whole ocean.

“Curse you Father John!”

REVIEW: ARES, BRINGER OF WAR (OLYMPIANS 7) – by George O’Connor

This is what this entire series has been building up to: The Trojan War, and oh my God, is it completely and utterly glorious.

It begins with a battle; chaos in the battlefield; when strategy fails and it turns into a chaotic bloodshed. That’s when Ares appears. And this is introduced by an epic 300 style battle with an epic narration about war happening as we watch Ares kick the crap out of people. I mean, check out this panel and try and tell me that it’s not made of awesome:

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The whole novel is full of excellent fight scenes that really brings excitement back to The Iliad. We have the battle between the King of Sparta Menelaus against Prince Paris, Athena teaming up with Diomedes to wreak havoc on the battlefield, and of course that fateful, heart breaking battle between a grieving Achilles and Prince Hektor. The battles are exciting, not least because its not just a clash of swords, but a clash of characters- each with their own skills and agenda.

Though this novel is called Ares, he is not really the protagonist. This is very much an ensemble piece, and If anything, the story is about Athena, with Zeus playing the role of quiet chessmaster, observing silently from afar as the Gods fight, always in control. But even so, Ares isn’t forgotten and plays a very important symbolic role- being the foil to the manipulations of the seemingly more civilised Olympians.

One of the greatest strengths of O’Connor is that he is really far stronger at bringing a new perspective to the Greek Gods that were despised in the original myths. Athena and Apollo were two of the most beloved deities, and yet are far more cold and less sympathetic in this series, while the reviled shrew Hera, ditzy Aphrodite and the hated God of War Ares (the essential personification of masculine cruelty) are given a brilliantly complex portrayal. He is reviled by his own father Zeus in favour of Athena, and admits that while she is the Goddess of strategy, he is the God of bloodshed and violence is all he can bring. As a result, all he has is strength and he is constantly outwitted by Athena. And yet he has a sort of stoic nobility about him.

Even though he is the personification of violence, he knows what he is and there’s no deception about him. He never starts the battle- but he’s summoned as a result of all the other characters and their epic scheming. That’s pretty complex and is done in such a subtle way.

War of the Gods:

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I can’t talk about this graphic novel without its central draw, the war of the Gods. Oh my God, was it amazing. In all the previous books, we’ve been introduced to most of the main players- Athena, Apollo, Poseidon, Hera- and seen their strengths, know their backstory, grown to love O’Connor’s incarnation of them. Now we get to see them fight.

It is everything I wanted, and oh my God, was the confrontation between Hera and Artemis perfection… All this culminating in Hector vs Achilles, in which the tone changes… the war is no longer heroic, but sad and the weight of the bloodshed falls upon them.

The only downside:

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The one theme that bugged me is that it often contrasts Ares and Athena by the fact that he has children but she doesn’t, and therefore she’s far colder. It makes sense that Aphrodite criticises her for this (because that’s one Goddess not under her control), but this seems to be Ares’ and the novel’s assessment of her too and I’m not sure I think this is valid. It overlooks the reason why she had to be a virgin. The reason why Athena is a virgin is because the relationship between and husband and wife in ancient Greek society (especially Athenian) was so hierarchical, so unequal and riddled in misogyny that remaining a virgin was the only way she could be her own person, powerful in her own right and not lorded over by her husband.

Making her asexual and divorced from femininity was the only way the Greeks could relate to her, such an important Goddess because of their hatred of women. Afterall, Hera was the Goddess of marriage and the personification of the most typical way of life for women; she was Queen of the Gods and wife of Zeus and yet she was reviled in the Aenead, The Illiad and The Odyssey; Aphrodite was the personification of the feminine allure and was likewise portrayed as silly, weak and a cause of disorder. Divorcing herself from femininity was the only way she could be ‘the exceptional woman’ and a Goddess wielding so much power and agency, and this is something that really should have been acknowledged if we went down.

But still, this such an astonishingly minor quibble and believe me, it amounts to nothing doesn’t do anything to detract from how perfect and amazing this graphic novel is. Also, ‘not now Hermes, I’m gloating’ is one of my favourite lines in anything.

Verdict: This graphic novel is perfect in every way and every man, woman and child needs to read it now! I’d recommend reading its prequel Aphrodite: Goddess of Love first (which covers the judgement of Paris), for maximum impact.

Rating: 5 almighty smackdowns / 5

Daily Prompt: Scorched- BEYOND THE APOCALYPSE

via Daily Prompt: Scorched

BEYOND THE APOCALYPSE

2062- and we were running for our lives. Running from the men in anti radiation suits. We turned the corner- but there were more men out to kill us. They weren’t government or enforcers. They were ordinary men from our rival tribe; they were worse than enforcers. For them this was personal.

“You can’t do this!” screamed my sister.

“Like hell we can’t, you little vermin!” cried a woman.

“We didn’t do anything!” screamed my sister.

“You’re taking our food!” screamed man, “It’s thanks to people like you, that our supplies are dwindling! It’s your fault this happened in the first place!”

He handed us to the men in radiation suits. My sister screamed as they dragged us away. Towards the entrance. Towards the end. My heart pounded in my chest. This was more like a dream. I heard the door slam. I felt earth beneath my feet for the first time. Exposed on the surface. We were going to die. We were really going to die.

My sister banged on the door for what seemed like an hour. No one listened; of course they didn’t. If I learned one thing from the underground Haven, it’s that people never listen. Eventually my sister learned that too. Her screams grew silent. She fell to her knees and was silent for a long time. Then she began to speak again.

“There’s no way out.” she said.

My answer was silence. I looked up at the sky, at the grey snowflakes falling on my cheek. My sister looked up too, lost in thought.

“Hey sis, can you tell me about the sky again?” she said, “Before the great war.”

I smiled, sad. I looked into the big black sky; at the endless wasteland of fallen buildings, burnt to the ground and covered in grey snow.

“I’ve never seen it before. “

“Tell me anyway.” she said, “I…I need something…something to stop me thinking about this…”

I sighed and looked to the sky, at the grey flakes falling down.

“Grandma always said back then, snow used to be different than it is now. Before the surface was scorched.” I said, “It didn’t fall apart when you touched it- not like this.” I said, holding another ashy flake in my palm as it disintergrated, “It was cool and wet. It used to cover all the earth, all the trees with beautiful white sheets. And people used to build snow men. Or make little balls and throw it at each other.”

We stare out, into the ashen wasteland.

“There wasn’t the war back then.” I said, my voice small, “There was… but not like this. Not like the one that did this- not like the purges.”

“Sis…” my sister’s voice choked. “How long… do you think we have… before the radiation kills us?”

“I don’t know, four hours maybe?”

We were both silent. We looked back at the cave lead door of the underground city we came from.

“Four hours.” she choked, “…I don’t want to die.”

“I know you don’t.”

“I’m scared.”

“I know you are.”

I didn’t know what to tell her. In a few hours, we’d be nothing. We’d be dead. All I could do was hold her hand.

“The sky,” she spoke softly “It’s beautiful. Funny, all that time underground… I never thought I’d see it.”

I looked up at the endless void, filled with beautiful stars. I’d never seen a star before, but I’d assumed it was like one of our strobe lights. I never knew its life could be so…pure.

” Do you think it’s true- what they say?” she said, “That… maybe there is a paradise-somewhere here?”

The lost land sealed by the stone door. The story every child in the underground city knew by heart.

“Maybe.” i lied

“Hey, sis. I don’t want to die doing nothing.Do you think… maybe if we look, we might find it before the radiation kills us?”

“I think we should try.” I said.

We walked together, into the scorched wasteland, looking at the remains of humanity. At the piles of rubble that was once our greatest achievements that meant nothing now. In search of what man had been searching for since the dawn of time. Paradise. A place better than this one.

Hey, thanks for reading. This was done in response to the daily prompt challenge which is here: Scorched . Follow the link to find out about taking part.

If you’re interested in another piece of flash fiction set in this world, please click here for more on their paradise.

The Secret of The Sailor and The Kraken

Everyone knew the story of  my grandad. 50 years ago, a Kraken had terrorized our town. Killed a lot of people, including my Uncle. That’s when Grandpa snapped; with only a hunting knife, he went out and killed the monster and became a hero.

But one of the strange things about him was that he always walked along the sea front alone, late at night.

I followed him one night. I watched as he stood by the ocean. Moonlight glittered on a shiny black tentacle.

He didn’t even look up, “I knew you’d find me, lad. I’d like you to meet Ella. The Kraken’s daughter.”

“But… why?”

The old man gave a heavy sigh.

“Ella here’s a herbivore.” He said slowly, “Tried to feed her some tuna but she wouldn’t even touch it.”

“Then…”

He put his hands deep in his pockets.

“I found out…” he said, “many years ago, my son was seeing another man. Your mother said some men found out and didn’t like it. Were gonna blackmail him. Don’t know who.Apparently the thought of me knowing was worse than death to him.”

He kicked a rock.

“I’ll never know what happened- if it was someone else who killed him, or he did it himself.” his voice choked “All I know is that people still go missing, my son’s gone, and killing that Kraken didn’t do a damned thing.”

He gave me a long, tired look.

“If you only remember one thing I’ve told you, remember this.” he said, “It’s easier to kill a monster than look in the damned mirror.”

Grandpa walked away into the night,not looking back.

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This is my 280 word submission for the flash fiction challenge, Flash Fiction for Aspiring Writers. Each week we submit a story of approximately 100-175 words based on a photo which we use to center our short stories on. It’s really beyond the word length and is probably ineligible, but I had a good story and decided to share it here anyway. Hopefully it’ll be a good read anyway. For more information, click HERE.

Scarecrow of the Old South

 

Mr Abbott was always there, on the porch, drinking a beer. Holding his shotgun. Say his only friend was that scarecrow.

Older folks say it wasn’t always like this; he was different before ‘nam; or before his wife left. It always changed.

All we knew was that he’d always been there until one day, he wasn’t. We no longer saw him. We wondered, but no one dared ask. It was a salesman- an outsider – who found him. Said the door was open. He looked in. He dropped his suitcase. Called for help.

Police said Mr Abott had a fall. He’d layed there three days before he died. Shame really. We all went to his funeral. No one cried.

The only thing left of him is that scarecrow. On some nights people say they saw the scarecrow holding his old shot gun. Mr Abbott’s long been dead.But even now, no one dares go near his property.

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(157 words)

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This is my 150 word submission for the flash fiction challenge, Flash Fiction for Aspiring Writers. Each week we submit a story of approximately 100-175 words based on a photo which we use to center our short stories on. For more information, click HERE.

FLASH FICTION: Last Man In Paradise

I opened the stone door, to the other world; the one I thought could only be a delusion. Paradise. My breathe caught in my throat. It was… real. All those years of fighting, grey clouds, bullets. Watching my father die. Now I was here, in a field of endless green.

I held a flower in my hand. Bright and red and beautiful. It withered and turned to dust. I scattered its ashes. It turned the grass brown. I smiled. There were no people here; no houses, no cities. Not the wars. The angry crowds.My father; the mob dragged him away. Now there was nothing but singing birds.No one else here. I walked back out the stone door. Let Paradise be.

TRAILER REVIEW: THE ZOOKEEPER’S WIFE

Okay, so here we have the trailer for 2017s Oscar bait- a feel good film set in World War II about the actions of One Good Woman who shines a candle of light in the darkness of the worst time in European history.  Cinematically, it looks pretty crisp; bright colors and beautiful visuals that keep it uplifting in spite of its subject matter and its operatic choir tells us how important it is. It’ll probably be a good a film- these kind of films usually are, even if we all would secretly be watching The Avengers.

This is an interesting time for the film to come out; only a few years ago- no, everyone a few months ago-   would be in agreement saying ‘yup: internment camps, concentration camps and the holocaust was shit, thank God we’re all past that’. But not at the moment. Now we live in a time where the rhetoric has gotten so nasty, that it’s given licence for people to indulge in the worst of human nature- the KKK is no longer just a fringe relic, swastikas are now beginning to emerge again.

In this climate, even a film as innocuous as this will be controversial, and it wouldn’t surprise me if its inevitable academy award wins will be deemed as ‘Political Correctness Gone Mad’. We’ll just have to wait and see how the traditional Oscar Bait will be recieved in this climate

FIRST LOOK: Jennifer Lawrence and Chris Pratt in PASSENGERS

Yeah, you totally clicked for Jennifer Lawrence in the swim suit, don’t lie to me!

Passenger is a Sci Fi story about what would happen if they cloned Jennifer Lawrence so she could be in every Hollywood movie this year… okay I lie. What this movie is about is a romantic meet cute INNN SPAAAAACEEEE

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When SHIIIT HITS THE FAAAAAANNNN…

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Yeah, gas giants and messing up gravity doesn’t exactly get me in the mood to for having dinner, but apparently ensuing disaster gets those two ready to pick out curtains. Chris Pratt and Jennifer Lawrence were meant to be in stasis for a hundred years while their ship they travel to a new planet to start a new life (2016 certainly has that effect on people) , but alas something goes wrong and the two of them wake up, only to find that something is disastrous is happening with the ship.

First off, the water effect looks amazing and it makes me wish that Katara could have pulled that shit in ATLA. Imagine if she drowned the fire nation in one of those balls? Well, it would probably not be suitable for kids anymore, and probably why I’m not a director- but that bit was cool. I suspect it’s the best bit in the whole movie.

Less cool was when they changed scene and we got the romance. Oh God, the romance. The dialogue ‘We’re on a date’ ‘ very nice’  Took you long enough to ask’ in the most artificial way possible. When Pratt’s character got the robot to give her that love note, I was thinking ‘seriously, mr Robot, do you want to give Ms Lawrence some cheese with that note?’I’ll admit I really don’t like the romance genre, but I can get on board if it’s nuanced and has really well written characters. However, this looks like a very cookie cutter couple with Chris Pratt and Jennifer Lawrence playing Hollywood Romantic leads rather than feeling like actual people. So far we have melodramatic declarations of love, cheesy declarations of love, the much older guy of course (Pratt is 11 years older than Lawrence), and with all the action and the time period there’s no way it’s going to develop in a natural way and will probably be ‘sass first and then insta love.’

Maybe the action will save the romance, but thus far I’m not sold. So far, the cutesyness really doesn’t go with the action and it undermines the stakes, and it looks like a sci fi with a romance sub plot tumor as the focus of the film. This could just be a marketing ploy however: the romance to draw the Twilight fans and the action to draw the Martian and Star Wars fans. But as of yet, neither the romance or the action looks good enough to draw me in.

Also, the scene with that robot slamming its head on the bar and sliding it along the surface? Totally becoming a gif that will feature heavily in the upcoming year.