It’s been a long time since I did a Princess of The Week; a series where I look beyond Snow White and Beauty, to the Awesome heroines who are just as strong and adventurous as their male counterparts Last time, we looked at a dragonslayer and a woman who used her wits to become the Sultan.
So, it’s fair to say that I am a little bit old to be the target audience of Princess Princess Ever After, but after spotting it in an article on The Mary Sue I thought I’d give it a look. I love anything to do with fairytale worlds with strong women women in it, and sometimes you just feel like reading something colorful and feel good. Honestly, it’s just a cute, fun story that I’d recommend to any kid- and not just because its progressive, but because its got a good sense of humor and adventure, with characters that are surprisingly nuanced for such a short book.
The most obvious thing about Princess Princess Ever After is that yes, it is a fairy tale with a same sex couple aimed at children. And that’s a big thing. Although things have generally gotten better with LGBT people in media aimed at adults and even a YA audience, even liberals are often uncomfortable with the idea of a same sex couple in a kid’s book or tv series (see Korrasami). This is because while they see opposite sex romance as fully encompassing romance, companionship, and innocent first love, they see same sex as equaling gay sex.
This book shows that this doesn’t have to be the case. The tone is perfect for children: sweet, innocent and with a good sense of fun. The story is far more about two very different young women bonding and going on adventure together (with a prince in tow) than it is about romance- although their relationship is adorable.
The characters are all likable and surprisingly fleshed out for such a short story. Its two main heroines are Princess Amira, the tomboyish knight, and Princess Sadie, the cute girly girl.
Princess Amira is a great character. Strong and brave, who ran away from home to avoid conventional gender roles. In a genre which overwhelmingly glorifies delicate white (usually blond) women, it’s great to see a black Princess who’s not the usual ‘white woman painted brown’, but has a hair that looks like a style that a black woman is more likely to have and comes from an African culture (my guess would be North Africa, judging by the desert). Though an aside… does something about Sadie and Amira remind you of anyone?
Princess Sadie is the more conventionally feminine one,and my God, is she adorable. She’s sweet and cries a lot, but possesses a kind heart that makes her a good leader. They do have a traditional butch/ femme dynamic, though this is clearly done to show that there’s more than one way to be a girl rather than out of a belief there has to be a ‘masculine’ and ‘feminine’ in every relationship. This book does try and mix it up a bit and show that feminine does not equal inferior and Princess Sadie is just as useful as Amira. It’s a lot like Ruby and Sapphire from Steven Universe or Haruka and Michuru from Sailor Moon, or Utena and Anthy from RGU. As a woman who’s been in the army and seen that the tomboys really don’t perform better than the femmes, I’d totally love to see a story where the girly girl is a kick ass fighter and rescues her butch girlfriend, but hey, Sadie does get some rescuing in too..
The villain is one that shows that sometimes it’s the ones closest to you that can hurt you the most. The only downside is that the main villain was defeated in a very quick and convenient way once the emotional confrontation was over. This seems to happen a lot (especially in stories aimed at girls), but the book was never about the final showdown and packs so much in that it doesn’t really matter.
The drawings are also really cute and make it a joy to flick through. They’re full of bright, round designs with lots of cute fairytale creatures like dragons and unicorns.
Verdict: This is a brilliant comic and one I’d recommend to any kid- especially little girls, who can probably find a bit of themselves in both our heroines.
Rating: 5 tomboy and girly girl animated couples out of 5
For a long time there have been rumors about a Legend of Zelda television series appearing on Netflix (and no, it has nothing to do with that series- because it never happened). It was first reported in this article here, with claims that the series will be like ‘a family friendly game of thrones episode’- presumably instead of the elaborate betrayals, the big plot twist in a Zelda series would be: ‘Oh no! The green thief King with evil eyes is actually the villain! Who saw that coming? (Seriously, how was Princess Zelda the only one who saw this coming?)
However, the owners of the rights to Zelda have since claimed the original article was not based on fact, but have not stated definitively that it won’t happen- suggesting that they would not rule out the possibility. It’s very unlikely to happen, but if it did? How could they make it good? Well, the difficulties would start with the two main heroes: Link and Zelda.
The Hero- How Are We Going To Give This Guy A Personality?
Making Link into a decent hero is my biggest doubt about why this series could work. As pointed out by this article, Link’s personality is the biggest stumbling block in making this series good. Link has always been a bank slate player insert, and no personality to speak of (except Windwaker Link, but they’re hardly going to go with the Windwaker canon for this show). He is never proactive, only reactive to certain situations, and his actions are solely based on requests and instructions from the people around him. So how do we give this guy a personality?
But if they do it right, this could be an opportunity to give Link a real personality for the first time. One thing that could translate well is his sheer determination; he travels day and night to save Hyrule; he witnesses all the worlds he traveled in ruin. His childhood friend remains a child while he’s become an adult- showing how much he’s lost and far away he is from his chilldhood innocence. I think the personality that would best suit him would see him start off as a carefree, spirited child who is forced to grow up too fast (literally) to save the world, and transforms into a fire forged hero. Either way, I think a lot of his growth would be pushed forwards by the people around him. And no character dynamic will be as important as his dynamic with Princess Zelda.
The Princess-Make Her A Badass Strategist
If this series is going to do well, our resident damsel in distress really needs to stop damselling and start being an awesome character (or stay an awesome character throughout the game. Not take a level in badass and then turn into a flailing victim the minute she puts on a dress- looking at you, Sheik and Tetra). In some of the earlier articles there was talk about it being ‘a boy rescues girl’ story, but that would be a horrible choice for a tv show.
A high fantasy setting, a pretty-boy lead and a magical Princess (not to mention the amount of prominent females this series have) are things that are really going to appeal more to girls- and I honestly think fifty percent (or more) of the potential audience would be female. We had fought our issues with damsel-in-distress princesses with Disney; now they’ve upped their game with Tiana, Elsa and Anna, and they’re about to up it again with Moana. We expect better and don’t need another 50s Disney princess; now we expect a Princess who’s capable and an interesting character. Zelda needs to be a strong lead. But strong in what way?
When people talk about wanting to make Zelda stronger, they always talk about her improvement in terms of physical prowess. However, what I would like to see from the Princess isn’t necessarily turning her into Zelda: warrior princess (or Zelda: Warrior Queen like in Hyrule Warriors). Zelda’s the holder of the Triforce of Wisdom, and I always wanted to see her come into her own as a strategist and leader, someone who planned the next move while Link went and collected the Triforce Shards/ Sages etc. In the games her ‘Wisdom’ is more like ‘special purity pureness spirit power’ and her track record for strategy was appalling. Imagine if she became a good leader in the series.
Imagine if Gandorof’s forces were at Hyrule’s Gate; the Royal Family had fallen and Zelda was the last ruler left to defend it. While Link has to travel around the world on a desperate quest to get the Spiritual Stones, Zelda has to quickly learn to become ruler and hold the kingdom, while trying to form diplomatic relations with the Zora and the Gorons. That would be a hell of a lot more interesting than ‘Help! I’m trapped in crystal!’ (why didn’t Ganondorf use the same spell to capture Link? Why does he underestimate Link every single game and go after Zelda? Leave Zelda for later- take out Link first.) So, if the series ever happened, what I’d love to see most from Zelda is not just someone who’s a good fighter, but a brilliant leader.
Would a Legend Of Zelda series on Netflix be a good idea? What would you like to see? I’d like to hear your thoughts in the comments.
Okami was an absolutely brilliant game. It had a very traditional Japanese feel, and took you on an adventure through a land of asian fairy tales full of blooming cherry blossoms, Dragon kings and bunny princesses. However, to us Westerners who grew up with the fairy tales told by Brothers Grimm,Hans Christian Anderson and (more to the point) Disney, some of the references were baffling in this game. Well be baffled no more, as I’m going to explain the mythology behind the game. Continue reading The Japanese mythology of Okami (part 1)
I’m going to put it bluntly: Thakane is awesome and it’s a crime against childhood (most notably mine) that she was never a Princess that every kid grew up with. Not only is Thakane amongst the strongest female leads I’ve come across in fairy tales – but she’s one of the toughest females in fantasy as well.
Thakane is the heroine from an African folktale who travels across Africa on a mission that is usually reserved for male leads only: slaying a dragon. Let’s have a look at her story and why she is so awesome.
Poor Thakane didn’t have an easy life. At the beginning of her story, her parents are dead and so she’s landed with the work of ‘two wives’ in raising her kid brothers.
When boys came of age, it’s one of her tribe’s customs that they receive a leather jacket and a shield made from the hides of animals their father killed;but the hide of a buffalo or wild cat isn’t good enough for the pampered princes. They want their gifts made from the hides of dragons.
Of course, the other villagers think her brothers are being spoilt little wee leeches and tell her not to go, but Thakane’s having none of it.
“If they lack anything, these sons of a chief, I will not be to blame for it. I will go and hunt these dragons.”
She asks for brave men of the village to accompany her on her quest, but no man will step up to the challenge;more and more men refuse to accompany her, and eventually news of this request spreads all over Africa…
Eventually, prince Masilo hears of her strange request and is intrigued.
‘When Masilo heard of this brave girl who decided to go on a hunting expedition for the sake of the family honor, he felt a strange excitement at such a bold plan. He also felt ashamed that no man in the whole country could be found willing to go with her to the land of dragons to kill one for her.’
LET’S JUST TAKE A STEP BACK AND THINK HOW REVOLUTIONARY THIS IS
What a badass! This is makes Misalo a pretty revolutionary prince, because a prince admiring a princess because of her strength is uncommon. Even in the modern fairy tale ‘The Paper Bag Princess’, the main character , princess Elizabeth, is rejected for being strong and ends up dumping the ungrateful prince because of it. This is a glorious subversion of fairy tale conventions and an act of strength on the Princess Elizabeth’s part, but … Quite a sad message lurks underneath. For both women and men, finding someone to love is a pretty important part of happiness in life; it isn’t weak, it isn’t patriarchal, it’s human nature. Presenting woman with the choice of being strong or being condemned to a life of loneliness is a horrible message.
But in this story, her courage doesn’t make her less feminine or desirable; its what brings the prince into her life. Centuries before ‘The Paperbag Princess’, the message behind Thakane is even more positive.
The Prince takes a leaf out of princess Jasmine’s book and escapes the palace and an overprotective father to seek out this intriguing lass. He falls in love with her at first sight (this is pre-Frozen and three pages long, it’s to be expected), and they head off on their journey. All good Princesses seem to like singing and have some kind of magical animal affinity, so hey, might as well use it for practical purposes. Using a magic song, she summons magical animals and asks them to recce the dragon’s locations. They should probably be more confused by the talking eels, but this is African myth, so getting animals to talk is pretty par for the course.
They then arrive and meet an old lady in a ghost town. When they ask her why no one’s there, she tells them ‘that her skin’s too tough, so they prefer to use her as a housekeeper.’ I like this description,
The old lady then tells them to set an ambush while she’s feeding the dragon and when they do that, Misalo drives a spear through the beast’s hide.
The old lady thanks them and then gives them a magical stone that will protect them from dragons on their way home, which raises so many questions: where did this stone come from? How long did she have it? Why didn’t she use it to save the villagers in the first place? Why didn’t she use it to escape? Why is she staying alone in an empty village instead of coming… okay, old woman, magical plot device- turn brain off; it’s a fairy tale, and this is hardly the biggest plot hole I’ve come across.
Moving on, they go use this stone to protect them from future dragon attacks and go on their merry way.
It all ends with Thakane and Masilo arriving home to a hero’s welcome, the spoilt brats getting their dragon hide coat, and Thakane marrying the prince and spending the rest of her days as Queen leading a life of luxury.
Even though this is an old African myth, this is one of the most revolutionary Princess stories out there.
She went further than Elizabeth in that she got to be both strong and beloved.And not just by any prince, but by a prince who loved her for her courage and who possessed more personality in this short story than most of the princes I’ve come across in most other stories.
WHERE TO FIND THIS
Why hasn’t Disney jumped on this? When did African myth feature Dragons? (except the creation myth of Kweku Tsin) and since when did African myth star creatures other than Anansi because we all know the greedy bastard took all the stories for himself? Why haven’t I heard of it until now?
Well, this story, is really, really obscure and really hard to find. It took a lot of work to find this story in the first place, and the only source is an out of print book on Swahili myth. It is worth checking out and a preview of the book can be found on this website:
Now that we’ve had a Princess teaming up with her Prince, how can we match this? Well, next week we’re looking at a Princesses who does the unthinkable- a Princess who saves her prince. Here’s a hint as to what story we’re looking at…
This week we travel to Ghana, to look at the Akan tale of Princess Yaa aka the proud princess. I’ve read a few versions of this story, where sometimes the princess is referred to as Princess Afiong or Ewabunmi; sometimes she marries a wolf, other times a skull monster, but in each version, she’s portrayed as spoilt and arrogant princess whom believes no man is good enough for her. In every version her parents want her to marry, but she rejects numerous suitors because they’re not handsome or rich enough until she meets one who deceives her and turns into a monster. The moral of the story is that ‘the grass is always greener on the other side’.
EXAMINING THE DOUBLE STANDARD
Yet… it has to be said… the gender double standards are strong with this one. Let’s look at what the Princess is punished for. She’s condemned for being vain because she wants to marry someone who’s extremely handsome and rich … yet she is so sought after because she is beautiful and rich herself. In some versions, they know her reputation for being ‘haughty’, but flock to marry her anyway because she’s an exceptional beauty (and her parent’s wealth couldn’t hurt either). But are they ever called out for it? Not at all.
It’s expected that a male lead (even if he himself is ugly) is entitled to marry a girl who is pretty, no matter what the situation. He will sometimes be called out if he falls for a woman who is pretty but nothing else, but even then, it’s usually she who is condemned for being vain, cold etc, while he is never called out for loving her solely on looks. In the end he will always meet another woman who is kind and equally pretty (although usually in a less glamorous, more understated ‘girl next door’ way).
It’s always women who are hit with the ‘looks aren’t that important in a partner’, when with men its a given that his potential partner has to be pretty even if he’s not. Because of this, I can’t help but salute this princess; she wants a prince that does it for her, and she’s not accepting anything less.
WHAT MAKES THIS PRINCESS SO STRONG?
Yet, if this story is so negative, then why is it included on the list of strong princesses? Simple: Farida Salifu’s retelling is amazing.
Salifu is an absolutely astounding writer who retells dozens of Akan myths on her website, most notably the Anansi tales, all of which are brilliantly written. She injects so much character into this princess that you can’t help but love her. She’s vain, spoilt, mischievous and she doesn’t just know it; she revels in it. She rolls around her luxurious bedchamber, wrapping herself with jewels and musing about all the trouble she’s going to cause her poor future husband; even the servant girls can’t resist giggling at her exploits. Princess Yaa’s just too much fun and oozes too much charisma.
And the wolf is excellent as well, and shatters the traditional fairy tale convention a way that is reminiscent of a certain Disney film:
‘Is it funny how you never even asked me my name, but you agreed to marry me?’
He just cuts right to the core. Seriously, that’s a good point that’s never really been brought up in fairytales until Frozen (at least Anna got her intended’s name and knew he liked pudding).Whatever we have to say about the treatment of Princesses in Western fairytales, half the time the Prince is so forgettable we don’t even know his name.
All in all- this is a very, very well told story. I can’t praise Farida Salifa enough as a storyteller, and it’s worth checking out all her tales- especially her retelling of the Anansi stories, Africa’s most prominent funny and infuriating fairytale antihero.
If you know any children, I would strongly recommend reading her work- all of her stories are lively and entertaining, and has the added bonus of teaching them a little about African culture.
But now we’ve had an African Princess who epitomizes bad judgement and selfishness. Next week I’m going to look at another African Princess- this one who exemplifies self-sacrifice and wins the attention of her Prince by her extreme courage and determination. Also, she charms mermaids and slays dragons.
With the popularity of Tangled, Frozen, Cinderella, Maleficent and the long overdue arrival of Disney’s first (and the cynic in me suspects probably the last) black Princess in The Princess and the Frog, fairy tales are as popular as ever.
And it’s no wonder; these tales have captivated us from childhood and stayed with us well into adulthood. There’s something about the sense of mystery and wonder, the crazy objects, the breath taking environments and the idea that anything can happen whether you’re a princess, pauper or knight that only fairy tales can create. And then there’s the princesses.
With the most famous European Fairytales being Briar Rose, Little Snow White, Rapunzel, and Cinderella, cemented in our imaginations by the early Disney films, we’ve come to see the fairy tale heroine of old as useless but pretty ornaments; ‘pure of heart’ (not morally good mind, but rather sweet and inoffensive), with little going for them but their beauty and inexperience;the archetypical princess waits for her prince to save her.
It got to the point where Belle, (in spite of the fact that it was her sexuality, rather than her knowledge and intellect, that saved the day), was considered revolutionary just because she had a brain and some semblance of a personality. Princess Fiona’s random kung-fu was subversive because ‘Whoah! A princess did something useful!’
However, what if I told you that the passive, brainless but pretty ‘damsel in distress’ may be the rule, but not the only rule? Even before Frozen, Brave and the Princess and The Frog came on the scene, there were lots of examples of strong and active women in fairy tales and mythology, who were accomplished, used their brains and even fought dragons?
To that end I’m going to begin ‘Badass Princess of The Week’ project, where each week I’m going to look at a different strong female from fairy tale and myth who proves that women were educated, active, strong and capable, way before Elsa, Anna and Tiana came along to redeem them.
This kindle exclusive is a simple version of a popular Japanese fairy tale aimed at young children. The original fairy tale itself is popular in Japan for good reason, as it has all the storytelling ingredients we expect from a good fairy tale; we have the protagonist rewarded for an act of kindness; the mystery and magic; the hero being warned never to do something, which you know they will do in the end, and the tension throughout the story of waiting for the inevitable to happen.
As far as this retelling goes, however, the writing quality is extremely uneven. It is sadly apparent that English is not the writer’s first language, and in spite of the simplicity of the sentence structures, it did feel like I was reading subtitles, littered with awkward phrasing throughout like:
“The old man went to the town to sell the woods.”
“He helped Crane from the trap.”
If you want a book for your kids to read to improve their reading ability, this is not one you should give them. But this book was never about the writing quality; the writing’s just a framework to allow Wakabayashi to tell the story through the art.
Warabe Wakabayashi is a Japanese manga artist and she is clearly very talented. You can see from the front cover what the quality of the artwork is like and it’s consistently good throughout the story. The Crane lady herself is breath taking in every picture she appears in, with the vivid colours and textures on the fabrics masterfully drawn. Its unique, beautiful, and wonderful to look at.
The artwork is worth the price of admission and overlooking the awkward phrasing. The beautiful pictures of the magnificent crane lady, and all the vivid patterns and colours that bring to life her beautiful outfits, is definitely something that will appeal to young girls.