FIRST LOOK: Ghost In The Shell Full Trailer

 

Another trailer and we’ve got a clearer idea of what the film is going to try and do. Rather than going for say, The Laughing Man storyline from the anime, or looking into the original manga for some good storylines, it seems like a straight up remake of the amazing original film.  That could be a problem- because its setting itself against an impossibly high bar. The film was groundbraking in its use of animation, and it was a film that was subtley harrowing, a film you felt rather than saw. I think that this version is going to be very Hollywood and lose its depth.

First off, the Americanism really, really shows. We’ve got a clearly Japanese setting, full of Japanese cyberpunk visuals (more reminiscent of Western works like Bladerunner or Neuromancer than anything from Japan), and yet we have a white woman running around speaking in an American accent, a bunch of white and black people with Japanese names blasting things in the most Hollywood style possible. The Japanese visuals they do show- the Geisha and the Carp- seem pulled out of Japanese culture rather haphazardly with little thought to their meaning or context aside from ‘ooh, this looks cool and Asian’. While the original Anime subtly emanated Japanese culture through its world (or Hong Kong in the case of the original movie), this feels more like a Tourist Shop vision of Japan. Beautiful, but ultimately lacking meaning behind the Geishas and kimonos.

Second, it looks like we’re getting a more emotional- and very human, very feminine-Major. Part of the conflict of Ghost In The Shell was that with all that remained of her human biology being a few brain cells, was she even still human or had she become more machine. A very cold, detached Major was more profound because it really made her question of whether her humanity was lost in all the wires, all the shells, all the more real. As for gender, Major Kusanagi, a female in the highly male dominated Japanese police force, was the most powerful and the most traditionally masculine one there; it asked questions like ‘was Major always a woman, or did she have the brain of a man?’ ‘Without hormones or a male and female body, which you could chose at whim, what did gender even mean anymore?’

A more emotional, vulnerable Major is perhaps more human and easier to emphasise with and more accessible to a mainstream audience, but it loses so much of the point and the conflict of The Major’s character.

All in all, it is still just a trailer and I will reserve judgement on the film, but so far it looks like it will be a very cool Hollywood film that copies the look of the original, but doesn’t quite capture what made it more than just another sci fi action.

 

Ghost In The Shell- Should We Still Support It In Spite Of It’s Race Controversy

 

Ghost in The Shell- one of the most enduring franchises in Anime history, spawning the superb movie (which everyone should watch) and the great anime series (and its even bettwe sequel 2nd GIG). Now finally, a new generation will have a chance to become aquainted with an excellent franchise.

Well, it’s hard to tell so far but it does seem to have the cool, melancholy tone of the original film (although no CGI could match up to its beauty of course), and it definately has a Japanese cyberpunk thing going on. Motoko displays far more emotion than any of her other counterparts- including the hard to read film version and the seasoned, in control leader of the anime- but that not be a bad thing. Although I love the Major, a criticism is that she is a bit too perfect and can seem flat because she never really goes through any character arcs (for the record I love the Major). Maybe a Major with more of an emotional arc will make her more compelling as a lead.

I’m not sure how I feel about its white washing. On the one hand, it is great that we’re getting another female lead action franchise and that Ghost In The Shell- an absolutely amazing series- is being brought to a new generation. This could help the franchise assert itself in popular culture once more AND it will help increase the sales of the original series and maybe even increase interest in Asian media. But now anime (with a few exceptions like Madoka and Stein’s Gate) seems to have devolved into Harem wish fulfillment fantasy,Moe, ginormaboobs and yaoi bait, I’m not sure that’s entirely a good thing. But I digress.

However, looking at the cast it’s still pretty white. I understand the argument that Hollywood needs a big name it feels safe with to headline the movie and that’s why it chose Johansson. I don’t agree, but understand. But this shouldn’t mean that the supporting cast shouldn’t be predominatly Asian- yet Batou and almost all of the support are white. The only character who is currently named that is played by an Asian actor is Daisuke, the leader who is never really part of the action. He could risk falling into the role of promoted to obscurity (when they have a POC who’s really high up, but is so high up that they have little characterization and are not involved with any of the important action.) Or being the calm, magical Asian.

This is frustrating because even after the last Oscar fiasco, and with so few roles for Asians to prove themselves in, we have a film set in Japan which is yet again devoid of any Asians. There’s an arguement for Scarlett Johansson as the lead (being the sole female lead of one of the biggest action franchises), but not on this scale. Besides, when I see an Asian film with a bunch of white people, it really does kind of give me a bit of a weeaboo feel.

One thing that should be noted though, is that a lot of people in Japan don’t actually care that much about it being played by a white person. They seem just as bemused about the idea of a Chinese American (Lucy Liu) playing a Japanese character and appear to roll their eyes at how Hollywood it looks. This is probably to do with the fact that they grow up in Japan with their own thriving tv shows and media featuring Japanese people, so of course representation and the problem of Japanese actors being denied work is alien to them.

All in all, it’s hard to tell whether it’ll be good or bad, but I’ll see it to support the franchise, and to prove again that a female lead action franchise is not a risk at all (but bad writing a la Catwoman is). And maybe if this becomes a hit, we’ll get more like it. In the mean time, I’d like to leave us with the greatest animated sequence ever put to film, so we can remember why this franchise is so beloved:

However, I’m not Asian so it’s not my thoughts which count. If anyone else has anything to say about this please feel free to post in the comments.

TRAILER REVIEW: THE JUNGLE BOOK

When I went to see Zootopia yesterday (review will be up soon),I saw a trailer for the live action version of The Jungle Book. Any film involving talking CGI animals and child actors is always a cause for concern, but this surprisingly looks very, very promising:

Continue reading TRAILER REVIEW: THE JUNGLE BOOK