It’s been a long time since I did a Princess of The Week; a series where I look beyond Snow White and Beauty, to the Awesome heroines who are just as strong and adventurous as their male counterparts Last time, we looked at a dragonslayer and a woman who used her wits to become the Sultan.
”Oh, so just because she’s a woman she must be into shoes!”Of course the Chinese guy knows martial arts- and for Gods sake Samurai swords are Japanese!’ You’ve all heard people rage against a character on the internet.
For the millionth time, we get another fashion obsessed GBF who talks about sex, never has any, and gets to be the butt of hilarious gay jokes; another lesbian who either dies because she’s expendable and can’t be used as a sassy accessory like the gay men; secretaries and women relegated to support roles and black women who are either entertaining and sassy or high court judges who never get any real characterization or role in the plot. Asian martial artists. Latina maids. The super crip. Russian spies.
But the question is, is writing a stereotypical character always a bad thing? Because, here’s the thing- most stereotypes aren’t randomly pulled from the ether. A hell of a lot of women AREN’T able to become high powered lawyers or mechanics (the same way most white men aren’t) , and they ARE nurses and secretaries. While we rail against the effeminate gay male stereotype (the Kurt Hummels, the Hollywood Montroses), they do exist- although they are definately a minority amongst gay men and with each passing year that breed of gay men are becoming rarer and rarer. A lot of black people DO like Hip Hop and R n Band listen to Bob Marley.
And railing too hard against the stereotype can be a problem, because we can reach the other extreme; we can reach the idea that a female character can’t be strong unless she’s angry, unemotional and hates fashion and girly things (but she still has to be young and hot- a woman is still worth as much as her attractiveness to men); butch lesbians are terrible, a black woman can’t be a worthwhile character unless she’s a lawyer, an honour student, a doctor or a good role ( a standard which isn’t applied to white characters, who can be everymen) . And I think we can all see why deeming these real life people as inferior is a problem.
1) DON’T! Do you REALLY need to write a stereotype?
In spite of the premise of this article, my first piece of advice would be not to write a character filling that stereotype. First off, that character type is pretty much catered for. We’ve seen enough gay hairdressers, Asian martial artists, promiscuous bisexuals, Latino/a sex machines, so you really don’t need to fill that void. However, the asian basketball fans (an old roommate of mine), black scientists, lesbian who actually survives and isn’t obsessed with babies categories are extremely underrepresented.
Second off, writing a minority group which you are not a part of (or the opposite gender) is extremely challenging at the best of times; but writing about one whose experience is completely alien to you, and of whom every single portrayal is steeped in stereotypes and misunderstanding that you don’t know which ones are true, and which ones are false caricatures? That’s a tricky, tricky task- and one that even writers with the best of intentions get wrong.
Write a character you can relate to. For instance, a lot of people are terrified of not giving a woman enough feminine characteristics in fear of being criticized for writing a ‘man with boobs.’ Trust me, as a woman I’d rather watch a strong active heroine who is ‘a man with boobs’ than a woman who’s defined by being someone’s love interest/ mother or given a forced girly hobby because ‘chicks dig that, amirite?’
As for the stereotypical ones? I’d say leave writing them to the butch lesbians, girly girls, flamboyant gay men to write (or at least, the people who know a lot about that community).They’re the ones who can write them with the nuance they deserve, because they understand that stereotype. For example Ryan Murphy from Glee managed to turn Kurt Hummel into a great and complex character… even though I think he dropped the ball a little in The New Normal. Ai Yazawa wrote NANA, who’s main character is an air headed, boy crazy girly girl who’s impulsive, makes terrible life choices…yet it was framed in such a way that she was used to show the challenges of a young woman in Japan.
2) CHALLENGE your internalised prejudices. And RESEARCH
Look, in spite of what people tell you, no, just because you have gay/ black/ trans friends does NOT mean you don’t have a touch of homophobia, racism, sexist etc. It’s a ludicrous argument and by that stroke, Bluebeard could argue ‘I’m not a mysogynist: all my wives are women… well, were- before I killed them! Now they’re dead- but they were alive!’
Just because you agree with interaccial marriage and don’t attend KKK rallies doesn’t mean you’re not prejudiced; you’ve just cleared the world’s lowest bar, and there’s plenty of prejudiced behavior in between being Jesus and committing a hate crime. And, when you start writing, often those prejudices that you don’t normally betray in every day life become magnified
You can counteract this by RESEARCH. Believe it or not POC, LGBT people are REALLY keen on telling you want, and writing about their experiences. Read stories from their POV, about what it was like being a say, latina maid, or an effeminate gay man who grew up having an interest in clothes and make up since he was a young boy.
2) Avoid language that’s locked, loaded and coded
This is a big problem and primarily applies to effeminate gay men. I’ve read of gay men described constantly as ‘sashaying’, ‘mincing’ ; take for example, Lord Akeldama from The Parosel Protectorate, the Patron Saint of terrible cliched gay writing:
He minced into the room, teetering about on three-inch heels with ruby and gold buckles. “My darling, darling Alexia.”
Oh God. How does one even mince into the room? Is he waving around his limp wrists and voguing to an invisible camera.
You see, when you start using these buzz words, you are not writing a fully fleshed person based on reality. You are drawing on cultural stereotypes as a short cut to portray a certain idea of that type of person. It also singles out their ‘otherness’; why can’t an effeminate gay man just ‘walk’ or ‘stroll’ into a room like every other character? Why does he need a special gay walk because he’s different? Please, don’t use coded language and let
3) Do NOT make their otherness their sole personality trait. And do NOT bring it up constantly
Fangs for the fantasy wrote an excellent example on the Lesbian Shark. Sometimes writers are so enamored/ obsessed with the characters otherness that they think its interesting in and of its self that they have to bring it up constantly. If your whole character can be summed up as ‘gay’ or ‘female’ or ‘sassy black friend’ then you have a problem (and no, the fact they have a couple of token interests you cling to like Shakespearean plays does NOT stop them from falling into this trope).
The worst example is Sir Loras in the TVs version of GoT. Oh God.Every time he’s mentioned, it’s always to bring up a HILARIOUS gay joke, or about his gayness, or to show him persecuted because he’s gay and so he HAS to be persecuted or forced into an arranged marriage (not in the book) or some other stereotype relating that, or to show him banging a guy to please viewers. This isn’t inclusion, this is a hollow shell.
4) Do NOT make their otherness their sole ark
This is not inherently a bad thing, because marginalization really, really does have a massive impact on people’s daily lives. Especially in historical times, when women were property, black people were second class citizens or slaves, gay people could be murdered for who they love (which still hasn’t changed), being disabled made you less than, and being trans was an impossibility. These issues should be dealt with and it would
But it gets frustrating when everyone else gets to deal with a multitude of interesting ‘neutral’ issues, like saving the world, or dealing with PTSD, or their commitment issues, what it means to be strong, a hero etc while minorities get to deal with minority problems. The first woman pilot/ mechanic etc. Racism at work. The coming out story. We are more than just our race/ gender/ sexuality etc, and we deal with other problems too.
The one thing that’s even worse is when their minority
A great example is Tyrion. Tyrion is a dwarf and constantly has to deal with a barrage of prejudice from his father and everyone around him. But that’s only part of his story: first and foremost he’s a pragmatic, cunning, witty noble with a penchant for wine and women, who is scheming enough to be a politician in Westeros, but lacks the cruelty of other characters. We see him leading battles, dealing with his tyrannous nephew, get arrested for murder and end up on the run. This is how you write a minority character and treat their prejudice.
A bad ex
5) Do not reduce them to a side kick, supporting role
The sassy black best friend, the GBF, the magical cripple. Too often, if a writer wants to include a minority, they make them a sidekick or a best friend. The main problem is their whole purpose to the plot and their character is defined by their relationship to the protagonist. Inevitably, they will end up becoming a useful servant to the protagonist.
Give them an actual role- give them their own plotline, or even – gasp- make them the protagonist!
5) Please do not make the sole/ most prominent female the love interest
This one is the mother of all terrible female tropes. Too often women’s existence is defined by her attractiveness to men and as being a wife or mother, so we see this constantly reflected in the media. It doesn’t matter what she’s achieved, her kind personality, whether she’s funny, made mistakes or throws one hell of a party- all that matters about her is who she’s married to. It’s frustrating because even if she is a great character, she will always be seen as ‘X’s’ girlfriend and will be in his shadow as the less prominent/ successful half of the couple.
Even when love interests start out interesting, because the story isn’t about them but their boyfriend, too often she will end up getting sidelined and get stuck in the kitchen. Look at Mira from Spartacus, who for all her talk of independence got bumped off as soon as she was no longer Spartacus’ love interest and therefore there was no point to her; or Fiona from Shrek, who was left behind in the castle in 2 and 3, and only got to do stuff in 4 because the alternate timeline meant she was no longer with Shrek and therefore they could reset their meetcute.
There are exceptions like Katara, who’s very much not primarily viewed as Aang’s love interest and has achieved a lot in her own right, but she is very much the exception to the rule and even she still got imperiled multiple times to motivate Aang (though she was kickass the majority of the time).
Hell, the reason Elsa was so revolutionary was because, for once, we had a female not defined by her romatic relationships.
I honestly would say that if she’s the girlfriend of a more prominent male character, she hardly counts as inclusion. Please, include females who aren’t love/ sex interests.
What advice do you have for writing minorities? I’d like to hear your thoughts in the comments.
Do you like irreverent humour? Creative action sequences? Great characters? Heroines who care more about marauding and fighting goblins than falling in love? A fun adventure? Do you like actual fun?
Well, if you answered yes to any of those questions, then Rat Queens is a graphic novel you need to check out.
The story is basically about a party of four friends who go on quests in an MMO inspired world. We have Betty, a tiny perverted Smidgen (a sort of tiny troll or hobbit) who’s funny, loves her drink and her ‘special’ mushrooms; Hannah, a gobby magic user with an attitude problem and an arsenal full of lethal spells and even more lethal comebacks; Violet, a rebellious Dwarf who’s trying to forge her own identity; Dee, a social awkward healer who comes from a culture who worships Cthulu-or as she puts it…
As you can see, the art is amazing– I’ve read a lot of comics, graphic novels and manga recently, and honestly I can say that this has some of the best artwork I’ve seen- seconded only to the work J.H. Williams did on Batwoman and the work Paul Louise-Julie did on both Yohance and The Pack.
Everything’s bright and colorful in this graphic novel and the character designs are very distinct. This is especially unusual in a series with female leads.Usually, the artist can’t bear to make them look like anything other than his ideal of the perfect woman, and what you’ll get is five models with different hairstyles and hair colour. Here, however, we have this:
Look at how different the heroines are from each other, with completely different different builds, face shapes, skin tones and expressions that tell you a lot about their character. And not only that, but all the expressions on the characters are really nuanced. Check out the look of love and vulnerability on Betty’s face:
And this picture of Dee and Betty:
You don’t need to read the dialogue-or know anything about the characters-to see that they are good friends; you can just tell from that picture the level of playful ease Betty has with Dee, and the amount of affection Dee has towards Betty.
The story itself is very simple and easy to follow, which is exactly what you want from an introductory arc. With less panels devoted to explaining the convoluted mess intricacies of the plot, more time can be devoted to what this series excels at: the humour, the characters, the friendships and the action sequences.
And are the action sequences excellent. The fight sequences are really, really creative and kinetic. I mean, just have a look at this page:
It’ll use lines and colours as backgrounds to create the appearance of movement and then cut to a white or black background for the killing blow. This works incredibly well, and when the fights come the shapes of the sides of the panels themselves will become more diagonal and may overlap, giving the feeling of a world thrown into chaos.
There’s also a lot of creativity involved. As well as the fights, the humor is on target and it affectionately satirises MMO games- like how the poor citizens of Palisade and straight laced cop Sawyer (who is the traditional Lawful Good protagonist who has a sort of ‘dating Catwoman’ dynamic with Hannah), just want the town not to be destroyed by maauding questers. Even if you don’t play MMO games, even if you’ve at least heard of World Of Warcraft than you know enough to get the humor.
On top of that, we get to the real crown jewel of this series- the characters and their relationships. Even though it’s only the first volume, we have a reasonable idea of our central characters and some of their relationships. What matters is their friendship, which always feels realistic thanks to the art and good dialogue. They fight and bicker like sisters who know each other too well, but they also clearly love each other and enjoy each other’s company and always have each other’s backs. It’s so rare to see strong female relationships which aren’t familial, and a comic full of great female relationships is something special.
Another kuddos has to go the diversity. It is AMAZING. It’s not often you’ll get important black or queer characters in a series (although both DC and marvel are both making genuine efforts to change that, what with Batwoman and the new Ms.Marvel), but here we have a black woman and a bi/ lesbian woman as two of our main four characters.
For POC, not only do we have Dee, but we also have the most prominent male love interest (who’s described as the most attractive by the other girls), a couple of supporting characters sprinkled about, but also Betty’s love interest Faeyri who appears to be Malaysian or from another dark skinned East Asian ethnicity. Speaking of which, Betty’s relationship is treated equally to the rest of the casts; the focus of the novel is friendship and adventuring, so we have a few warm, genuine scenes between them but nothing that encroaches on Romantic Subplot Tumour . And also, I like Faeyri’s design:
I particularly enjoy how Betty’s interested in does have the short hair style and alternative dress sense that you see a lot of queer woman donning. Don’t get me wrong- there are a lot of bi/ lesbian women who conventionally feminine, and they’re great and it’s always good to see them in media, but it’s very unusual for a butcher woman to be the love interest, and object of desire. It’s great to see a tomboyish lesbian of color can be desirable too.
Honestly, with so much good, this I’ve already read this volume twice, and I’m delaying reading the third because I don’t want it to be over.
So, it’s fair to say that I am a little bit old to be the target audience of Princess Princess Ever After, but after spotting it in an article on The Mary Sue I thought I’d give it a look. I love anything to do with fairytale worlds with strong women women in it, and sometimes you just feel like reading something colorful and feel good. Honestly, it’s just a cute, fun story that I’d recommend to any kid- and not just because its progressive, but because its got a good sense of humor and adventure, with characters that are surprisingly nuanced for such a short book.
The most obvious thing about Princess Princess Ever After is that yes, it is a fairy tale with a same sex couple aimed at children. And that’s a big thing. Although things have generally gotten better with LGBT people in media aimed at adults and even a YA audience, even liberals are often uncomfortable with the idea of a same sex couple in a kid’s book or tv series (see Korrasami). This is because while they see opposite sex romance as fully encompassing romance, companionship, and innocent first love, they see same sex as equaling gay sex.
This book shows that this doesn’t have to be the case. The tone is perfect for children: sweet, innocent and with a good sense of fun. The story is far more about two very different young women bonding and going on adventure together (with a prince in tow) than it is about romance- although their relationship is adorable.
The characters are all likable and surprisingly fleshed out for such a short story. Its two main heroines are Princess Amira, the tomboyish knight, and Princess Sadie, the cute girly girl.
Princess Amira is a great character. Strong and brave, who ran away from home to avoid conventional gender roles. In a genre which overwhelmingly glorifies delicate white (usually blond) women, it’s great to see a black Princess who’s not the usual ‘white woman painted brown’, but has a hair that looks like a style that a black woman is more likely to have and comes from an African culture (my guess would be North Africa, judging by the desert). Though an aside… does something about Sadie and Amira remind you of anyone?
Princess Sadie is the more conventionally feminine one,and my God, is she adorable. She’s sweet and cries a lot, but possesses a kind heart that makes her a good leader. They do have a traditional butch/ femme dynamic, though this is clearly done to show that there’s more than one way to be a girl rather than out of a belief there has to be a ‘masculine’ and ‘feminine’ in every relationship. This book does try and mix it up a bit and show that feminine does not equal inferior and Princess Sadie is just as useful as Amira. It’s a lot like Ruby and Sapphire from Steven Universe or Haruka and Michuru from Sailor Moon, or Utena and Anthy from RGU. As a woman who’s been in the army and seen that the tomboys really don’t perform better than the femmes, I’d totally love to see a story where the girly girl is a kick ass fighter and rescues her butch girlfriend, but hey, Sadie does get some rescuing in too..
The villain is one that shows that sometimes it’s the ones closest to you that can hurt you the most. The only downside is that the main villain was defeated in a very quick and convenient way once the emotional confrontation was over. This seems to happen a lot (especially in stories aimed at girls), but the book was never about the final showdown and packs so much in that it doesn’t really matter.
The drawings are also really cute and make it a joy to flick through. They’re full of bright, round designs with lots of cute fairytale creatures like dragons and unicorns.
Verdict: This is a brilliant comic and one I’d recommend to any kid- especially little girls, who can probably find a bit of themselves in both our heroines.
Rating: 5 tomboy and girly girl animated couples out of 5
Another month has rolled around and I’ve looked at more books this month than I have in any previous months.
Book of the Month: The Color Purple– by Alice Walker
I originally thought I was going to make it To Break The Demon Gate, but as soon as I read the Color Purple I realized it couldn’t be anything else. A heart wrenching story of oppression, love, the importance of education and friendship seeing you through adversity. I said everything I needed to say about this book in my review here, and it’s a book that I would recommend to everyone and that’s why I’ve put it my Top 20 Books Everyone Should Read.
Short Story of the Month: Mummy– by Banana Yoshimoto
This was definitely the most difficult category to choose because I’ve read so many superb 5 star short stories this month. However, the stand out had to be Mummy by Banana Yoshimoto which was found in a compilation of short stories by Japanese authors called The Book Of Tokyo. Banana Yoshimoto is currently one of the most acclaimed authors of Japanese fiction, and from reading this short story it’s easy to see why.
Mummy is a very strange and utterly intriguing short story about a young women who enters a warehouse alone with a guy she barely knows, but instead of finding herself a murder victim, she enters a three day sexual adventure that’s strange, dangerous, fucked up and exhilerating. Banana perfectly captures what it’s like to be a young woman embarking on an early sexual adventure- the hunger for the forbidden, the new, dangerous and the thrill of adventure.
Runners up: The Forest of Memory, The Perilous Life of Jade Yeo, Moonlight on Shoji Bridge
World Building of the Month:The Teracotta Bride– by Zen Cho
This was another category that was difficult to choose. Right up until the end I was torn between the supernatural politics of the Mercy Thompson series and the science fiction reimagining of the Himba people in Binti; I thought I had finally decided on Binti, but then I read the Terracotta Bride. The Teracotta Bride gives us an in depth look at the Chinese/ Malaysian afterlife,a world with ten levels of hell where wealth is gained by corrupt methods and from paper burnt by the deceased’s ancestors. As well as giving us a fully realized interpretation of that world, it also points out its flaws (that even though the rest of the world’s evolved, the afterlife still possesses a medieval view of the role of women); it also asks some interesting new questions about this world like ‘are those paper servants created to serve their master sentient?’ or ‘what happens to the Teracotta Soldiers after their master’s reincarnated?’ On top of that, it even brings in a little speculative fiction element with the same principle used to created the Terracotta Soldiers is used to create a robot servant? What happens to a robot in the afterlife? Does it have a soul?
Every about this story was so unique and fascinating that there could only be one choice for Best World Building.
Runners up: Moon Called, Binti
Male Character of the Month:Lord Yamada and Kenji
To Break The Demon Gate is one of my all time favourite fantasy series. It takes place is Japan during the Heian era and is full . Lord Yamada is a great protagonist- a disgraced minor Lord who’s suffering from the loss of a loved one and is taken to the edge of grief. I think we all know what it
However, a story with only Lord Yamada wouldn’t be the same, as part of what makes the novels so great is his banter and odd couple friendship with Kenji, the ‘reprobate monk’. Kenji is the yin to Yamada’s yan, a carefree, light hearted lecherous monk who’s always getting lost along the tenfold way in the bottom of a cask of sake or some other worldly pleasure. Even though he’s always on the recieving end of the more humourless Yamada’s scoulding, the two have a strong friendship that sees them through their numerous adventures against the various schemes of the supernatural.
Female Character of the Month: Jade Yeo
It was either Jade, Sofia or Cyan from Hedon this month and since I’m trying to avoid giving The Color Purple everything, it just had to Jade. I mean, come on, what’s not to love about her? She read’s like an unholy hybrid of The Importance of Being Earnest’s Cecily and Jane Austen’s Emma, completely rebels against all of societies norms and calls her unborn child ‘the worm’. She is one of the greatest females in literature and I really enjoyed the relationship between her and her best female friend.
Runners up: Sofia, Nettie, Cyan
POC Character of the Month: Sofia- the Color Purple
I really, really try not to nominate the same book for every category, but I couldn’t read The Color Purple and say it’s not the best thing I’ve read all month and that it doesn’t include the best POC portrayal in literature; because it is one of the most revolutionary portrayals of African American women ever written, so much so that it garnered praise from Oprah Winfrey (who ended up playing Sofia) and Lenny Henry.
I chose Sofia in particular because I fell in love with this character. Strong and independent, she had to stand up for herself her own life and she vowed never to let any man treat her like a punchbag. True to her word, when Harpo tried to beat her into submission she didn’t back down but fought him with every ounce of strength she had. Her finest moments included taking down Miss Eleanor Jane and her misguided and privileged view of her importance to her unwilling ‘mammy’ figure- something that is sadly still relevant today when films like The Help continue to get made and receive more critical acclaim than films like Selma.
LGBT Character of the Month:Celie- The Color Purple
Before Pam Grier’s portrayal of Kit Porter in The L word and Orange Is The New Black came on the scene, The Color Purple’s Celie and Shug Avery were two of the very few portrayals of black lesbians and bisexuals in the media.
Celie is a great character: she is a very human character who suffers a lot. She starts off as an extremely passive person who suffers silently and endures through life, even proving to be a little manipulative when she advises Harpo to beat his wife because she envies her freedom. However, she soon develops into a strong and capable person with a sense of self worth, and a big part of what takes her on that journey is her love for Shug. In spite of being constantly forced to sleep with men since she was 14, the first time she ever feels desire of her own was when she thought of Shug, who she felt a mix of adolescent infatuation and sexual desire for since she first found a picture of her. That sexual awakening burgeons into a deep friendship and later a physical relationship. Two often gay relationships are reduced to either ‘just sex’ or an asexual companionship, but The Color Purple avoids that by both
Because of the pernicious stereotype of gay people being turned gay because of abuse and that lesbians are attracted to women because they hate men, it can be difficult to portray an LGBT character who was abused. However, although she
Set in the deep American South between the wars, THE COLOR PURPLE is the classic tale of Celie, a young black girl born into poverty and segregation. Raped repeatedly by the man she calls ‘father’, she has two children taken away from her, is separated from her beloved sister Nettie and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker – a woman who has taken charge of her own destiny. Gradually Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.
Some novels you admire; some novels you love; and some novels are so powerful, so thought provoking that they make you grow as a person and give you characters that will live in your heart for the rest of your life. The Color Purple is definitely the latter and is without a doubt one of the greatest novels I have ever read. I’m not the alone in this estimation. When this novel came out, it became a living obsession of Oprah Winfrey, adored by thousands of black women and won a Pulitzer prize in spite of the tendency of POC and women (especially one who is both) to be overlooked. What makes the story so compelling? Continue reading REVIEW: THE COLOR PURPLE- by Alice Walker
Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.
Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti’s stellar travel will bring her within their deadly reach.
If Binti hopes to survive the legacy of a war not of her making, she will need both the the gifts of her people and the wisdom enshrined within the University, itself — but first she has to make it there, alive.
I’ve never come across an African society in science fiction before (save the Rastafarian space station in Neuromancer). The world of Okorafor’s Binti was a first for me in that respect, and it was fascinating. I’d never even heard of the Himba tribe until reading this novella, and the way she blended their culture with futuristic technology and a deep future philosophy was masterfully done. Continue reading BOOK REVIEW: BINTI- Nnedi Okorafor
You’ve never read a fantasy novel like this one! The deep well of Japanese myth merges with the Western fantasy tradition for a novel that’s as rich in place and culture as it is hard to put down.
Balsa was a wanderer and warrior for hire. Then she rescued a boy flung into a raging river — and at that moment, her destiny changed. Now Balsa must protect the boy — the Prince Chagum — on his quest to deliver the great egg of the water spirit to its source in the sea. As they travel across the land of Yogo and discover the truth about the spirit, they find themselves hunted by two deadly enemies: the egg-eating monster Rarunga . . . and the prince’s own father.
Moribito: Guardian Of The Spirit is the first in a series of nine novels (and counting) that were extremely popular in Japan and adapted into an anime. The first two books were published and translated in the West, but unfortunately the series was cancelled after that. This is a shame, because Moribito is the most engaging YA series I’ve read since The Hunger Games.Continue reading BOOK REVIEW: Guardian Of The Spirit-